Thursday 14 May 2015

Evaluation AD33

Commissions:

First, for my website commission, I really struggled with finding a style I liked to work in and creating something that the client wanted. It was interesting to do an illustration and then have time to go back over it and really pick it apart, as I wasn’t rushed into something else straight away.
I found that taking a break or gathering inspiration in the middle of a project really helps, I find myself slowing down because inspiration has gone. After I added pattern and stopped trying to make it look realistic I really enjoyed working to that brief. I was really excited to try out a ‘day of the dead’ themed skull, after watching the animation ‘The Book Of Life’.
If I had more time on the commission, I would try to add more patterns in it or try a different angle of the skull to make it more interesting.

My other commission was an assault regiment patch for a jacket. I was really excited to do something new, as I have never tried to design a team logo. However this also made it difficult because I had to then wait after every stage for the whole team to see it and give me feedback, which took a while. Overall, I found the project rewarding and I didn’t have to change much with feedback so that’s always good. If I was going to re-design it, I would make it have a lot more patterns in it, and I would take more time to make it look detailed and exciting.


‘Go Wild’ Card Design:

This was my favourite project to do as I enjoyed it the most. In this project I discovered that I’ve really missed painting, and that I love arranging a variety of objects on a page without having to draw them separately. However scanning it was a problem as it was A3 and I only had an A4 scanner, so I had to stick the image together.
I think this project was really successful. And the only thing I would change would be to do a set of cards and not just one. I think a set of cards like my ‘go wild’ one would look great.


Main Project; Greek Mythology Zine

At first, I was really looking forward to create a whole zine dedicated to mythological creatures. But after realizing how much time I had, I decided to do a whole storyboard and only 4 finished double page spreads.
I had quite a lot of trouble with the double spreads because when I blew the thumbnails up to light box them, they were way too spaced out which I really didn’t like. So I did a side project (mentioned below), which were the three fates but as vignettes.
My solution to the spreads was to make the illustration have big borders; this also allowed me to have the fates’ thread trailing off into the border, which created a sense of continuity.
I tried to make the style look like paper cuts, by creating a lot of shadows on the piece. This also made it look like a stage set.
Overall, I’m happy with how they turned out, but I would’ve liked to spend more time on them to really make them look good, with different textures and to look at stage sets to see what else I could do to improve them. It would have also been nice to make the other scenes and finally make a book out of it. I’ll definitely consider it if I’m doing a project like that in the future. 

Side Project; The Three Fates

Although this was a quick project on the side, I’m really pleased with how it turned out, and it seems to be a strong part of my portfolio. I painted the fates with watercolours because I knew how successful it was in my greetings card project. This mini project reminded me how much I love doing vignettes. It links in with the style of my greetings card project, which ties it all together.
If I had more time on this project I would consider doing more mythological figures in that same style and have their name underneath, like an educational book for mythology. I would really enjoy that, a possible project for the future.

Wednesday 13 May 2015

Greek Mythology Zine

I was originally going to create a whole zine about Greek Mythology, which had a range of creatures in it, however given the time frame I decided to only do 4 double page spreads.

I tried to create them in the style of paper cuts, so that they had layers. These were my outcomes:

Graces

Horai

Muses


Sirens
I tried to make them each have their own colour scheme, to make them stand out. I'm happy with how they all turned out.

Monday 11 May 2015

New Website Buttons





These are my new buttons, as my other ones are hard to read.

The Three Fates

While I was working on my Greek Mythology project, I decided to do a 'one day project' focusing on the three fates; Clotho, Lachesis and Atropos.

I painted them with watercolours as it had such a nice outcome when I created my cards. I also added their names so people knew what the illustrations were about and who they were.

My outcome: 


I'm really happy how they turned out seeing they had such a quick time frame.

Greetings Card Design (Competition)

I've recently entered a competition for Paper Rose and G.F Smith. This was to design a Greetings card, with your choice of occasion.

I decided to have the words 'Go Wild' on my card design, as it can be for any occasion- broadenng my audience. I also decided to make it an detailed as I can- as it would stand out and be eye catching on the shelf.

This is my funal card design:



And this is it printed on cream coloured paper:





I'm really happy with how this design turned out. I painted it with watercolours instead of colouring it digitally and I think it has paid off.

Commission - Airsoft Patch

For this commission, I was asked to design an Airsoft patch for a team. I was also able to create my own logo for them to wear as well, as a form of self promotion.

I merged some Regiment badges together to get a general idea of what they were looking for. Then I light boxed the design and took it from there.

This is my final, after changing the colours to suit the purpose:


And my patch design turned into my new logo:


Artist Research Task




BRIAN LUONG
Why have you selected this illustrator?
He pays attention to detail as most of his work has a lot of fine lines in it, that’s what I would like to work on, fluidity and detail.
How would you describe their style?
Some of his work has limited colour which I like, and his work is very textured and detailed.
Which genres do they operate with in terms of their portfolio and clients?
He likes to draw the subject of the cycle of life, nature and general objects.  He doesn’t really do any landscapes.
Which target audience do they produce work for?
Mainly film posters, press and t-shirt designs, so I would say teenagers to middle aged people.
Who are some of their best clients?
He worked on a poster for The Boondock Saints and a Brewing company
Which projects in their portfolio would you love to have worked on and why?
I would love to have the opportunity to work on a film poster, like he did, and be able to illustrate it without giving too much away.
How does the illustrator promote their work?
He keeps his website up to date and it’s well organised so it’s easy to get around on it. He produces new work regularly and uploads it to keep people sharing it and to keep people engaged.
Do they work with an agent, publisher, gallery, collective?
He has a shop, but from what I see he doesn’t work with anyone like an agent.
Do they take on commercial work/work to commission?
He takes a lot of commissions but he also works on personal work which he sells on his shirt company - Mintees
Do they produce a lot of self-initiated work and publish/reproduce/sell it?
He also produces limited edition screen prints and sells those as well as commissions.
Do they appear to be supplementing their practice with other work? (E.g. teaching)
He appears to do most things online, so it’s difficult to tell.
How has this research informed your plans for your statement of intent?
It has made me want to do a project which makes me focus on detail and different ways of making pattern and lines.

DANIEL DANGER
Why have you selected this illustrator?
He has a style that I wouldn’t have considered trying, he uses detailed lines but bright and bold colours.  (2 or 3 colours)
How would you describe their style?
Most of his work is screen printed (a lot like Kevin Tong), with limited and dark colours.
Which genres do they operate with in terms of their portfolio and clients?
Mostly to do with the city, or architecture (general structures with natural landscapes)
Which target audience do they produce work for?
A lot of media companies as I’ve seen his work in TV shows. Galleries, Press.
Who are some of their best clients?
DreamWorks, Star Wars, ‘The Walking Dead’, Snow Patrol, Penguin Books, Universal Pictures and many more
Which projects in their portfolio would you love to have worked on and why?
Be able to work on limited official posters for DreamWorks!
How does the illustrator promote their work?
Keeps his stylised website up to date, he also announces competitions to win some of his work and he gets commissions by having his work in shows such as Supernatural
Do they work with an agent, publisher, gallery, collective?
Makes limited prints to sell and does quite a few commissions (magazines). He also runs a company called Tiny Media Empire
Do they take on commercial work/work to commission?
Works on commissions for media and runs Tiny Media Empire
Do they produce a lot of self-initiated work and publish/reproduce/sell it?
He works on a lot of commissions but also produces screen prints to sell over the internet.
Do they appear to be supplementing their practice with other work? (E.g. teaching)
Running his own company – production and design
How has this research informed your plans for your statement of intent?
To take time in the things you do and really give it all you’ve got.

ADAM S. DOYLE
Why have you selected this illustrator?
He inspires me to experiment with more textures and material such as ink and paints.
How would you describe their style?
His work is very stylistic in the way that he uses inks and textures to add depth to his work, there are a lot of hidden patterns in his work which is what makes it so good.
Which genres do they operate with in terms of their portfolio and clients?
He mainly works with book publishers and magazine companies. 
Which target audience do they produce work for?
Editorial type work, book covers, things that are in context. So any type of product
Who are some of their best clients?
Scholastic Books, the Atlantic, Penguin
Which projects in their portfolio would you love to have worked on and why?
I would have loved to work on the book cover design for Scholastic books because it was for Maggie Stiefvater’s book and she’s my favourite author. And her books are full of mythology.
How does the illustrator promote their work?
He keeps his website updated; he also posts a lot on Facebook with what he’s up to. He also has twitter too.
Do they work with an agent, publisher, gallery, collective?
He has many galleries: New York, LA, Hong Kong and Europe
Do they take on commercial work/work to commission?
He does a lot of commissions, including publishing work
Do they produce a lot of self-initiated work and publish/reproduce/sell it?
He produces work to go into galleries and he has published several books about his work.
Do they appear to be supplementing their practice with other work? (E.g. teaching)
He teaches afterschool programs and helps with portfolio development.
How has this research informed your plans for your statement of intent?
Experiment more with textures and materials, make more watercolour textures and make the most of it.